I steeled myself for my upcoming capitalist indoctrination (B-school starts next week) by watching ‘Battleship Potemkin’ on Sunday. The movie, in true socialist form, was free for the masses - it played in a drizzly Trafalgar Square, and featured a thumpin’ new soundtrack composed and performed live by the Pet Shop Boys.
Surprisingly, it wasn’t so much a big spectacle, as a good show. I’d expected a double-dose of high camp; that the synthetic techno bombast of Mssrs. Tenant and Lowe would serve only to make Potemkin seem anachronistic and crude by comparison, probably send the whole thing up as a terribly naïve work — technologically, artistically, politically, historically, whatever.
Instead, it was engaging. The music was surprisingly complementary, at times almost natural, and if anything, made the film seem more contemporary, not less. Given, I actually like the music of the Pet Shop Boys (hence my trek from Cambridge to London), so my opinion is undoubtedly suspect to some, but I’d call it a success, and an artistic one at that.
No, it wasn’t perfect: some passages veered too far to the club sound (IMO, the words “Da!” and “Nyet” do not a natural bass line make), some slower strains went on just a bit (like Phillip Glass pumped full of Red Bull). But pacing, I suppose, is something the revisionist soundtrack composer can’t completely control, and one of the more obvious aspects where early cinema shows its age.
Standing in the rain surrounded by umbrellas wasn’t the best screening venue, but it was memorable. The best seats in the house, alas, were on a red double-decker bus snarled in Trafalgar’s traffic - we watched passengers wind their way to the top deck, sitting high and dry, until a traffic cop finally cleared ‘em out.
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